Wednesday, November 10, 2010

Batman Begins [Blu-ray]

Batman Begins [Blu-ray]Batman Begins explores the origins of the Batman legend and the Dark Knight's emergence as a force for good in Gotham. In the wake of his parents' murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.

Price: $28.99


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Tuesday, November 9, 2010

Tinker Bell and the Great Fairy Rescue (Blu-ray Review)





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Blu-ray + DVD
Disney / Buena Vista | 2010 | 76 min | Rated G | Sep 21, 2010

Video
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1

Audio
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English: DTS-HD Master Audio 5.1
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (less)
Subtitles
English SDH, French, Spanish (less)
Discs
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
BD-Live

 (2010)

Animation | Family | Fantasy


Tinker Bell is discovered by Lizzy, a girl with a steadfast belief in fairies. As their different worlds unite, Tink develops a special bond with the curious girl in need of a friend. As her fellow fairies launch a daring rescue, Tinker Bell takes a huge risk, putting her own safety and the future of the fairies in jeopardy.

For more details about Tinker Bell and the Great Fairy Rescue on Blu-ray, see the Tinker Bell and the Great Fairy Rescue Blu-ray Review



Reviewed by Kenneth Brown, September 19, 2010

You have to hand it to the marketing masterminds at Disney. Not only did they shrewdly transform a pint-sized bit player from a 1953 animated classic into a wildly successful cash cow, they transformed a jealous, temperamental, vindictive pixie like Tinker Bell -- who, lest we forget, was willing to aid her beloved Pan's mortal enemy if it meant getting rid of wretched ol' Wendy -- into an endearing, dare I say enchanting little icon. The Great Fairy Rescue is Tink's third time hogging the spotlight, and it's the best spin-off of the franchise. Short and sweet? Indeed. Aimed at young girls between four and nine? Definitely. But don't be fooled. There's a steady heartbeat pulsing deep within this direct-to-video gem; a disarming convergence of sugar-sprinkled storytelling, thematic simplicity, mildly harrowing adventure and good-natured, animated fun guaranteed to leave your daughters smiling and laughing from beginning to end. And who knows? You might just be swept away with them.


When worlds collide... grade schoolers will cheer.

After learning to stay true to herself in 2008's Tinker Bell and realizing the value of honesty and integrity in its 2009 sequel, The Lost Treasure, Disney's pixie prima donna (voiced by Avatar: The Last Airbender's Mae Whitman) returns in The Great Fairy Rescue with renewed enthusiasm... only to land herself in another spot of trouble. While tending to England's flowering fields, Tink is captured by a well-mannered nine-year-old human named Lizzy (Lauren Mote). Upon hearing of her imprisonment, the young fairy's faithful friends (Pamela Adlon, Lucy Liu, Raven-Symone, Kristin Chenoweth and others) spring into action and mount a daring rescue, even though it requires them to brave the perils of a summer downpour. No small feat for such small creatures. But as it turns out, Tink isn't in much danger. Lizzy is a curious tot determined to verify the existence of fairies and catalog their behavior, nothing more. Before long, trust is earned, bonds are developed and Tinker Bell becomes quite fond of her first human companion. Their relationship is threatened though when Lizzie's father (Michael Sheen) intervenes, putting Tink and her friends to the ultimate test. Will the fairies survive? Will mankind learn of their existence? Will heart strings be plucked? Will life lessons abound?

Even by the twenty minute mark, it's abundantly clear that The Great Fairy Rescue is a more fully realized film than its predecessors. Bob Hilgenberg and Rob Muir's parallel storylines are strong enough to support their own features, yet work in perfect tandem; Lizzie is an infectious lead, and her methodical study of fairy culture is as cute as it is charming; Tink's misadventures in human handling are nothing short of inspired; size and scale are employed to great effect; and the fairies' trek across a hostile countryside is as absorbing as a film targeting little girls could be. Director Bradley Raymond navigates tricky waters -- after all, Rescue isn't as complex or powerful as Disney's theatrical heavyweights -- but nevertheless keeps a steady hand at the franchise helm. Wide-eyed fairy fans will be chomping their nails one minute, wishing they were Lizzie the next, all the while giggling and grinning with awe-struck wonder. Yes, Raymond and his writers make a few missteps (lingering pacing issues among them), and yes, Lizzie's father is a somewhat contrived source of conflict crammed into an otherwise breezy plot. But very little hinders the march of Tinker Bell's progress. As far as I'm concerned, it's better than several paint-by-numbers box office hits that have muscled their way into theaters in the last five years.

The franchise's CG animation has received some much-needed tinkering as well. Gone are the glassy stares and dead eyes that plagued early outings like The Lost Treasure. Tink, her tiny compatriots, Lizzie and her father exude emotion with every glance and glare, making each character more... well, human. But that's not all. The fairies' translucent wings are works of animated art, light and shadow have been refined with Pixar-esque precision, expressions are far more nuanced and evocative, and a variety of background elements brush shoulders with photo realism. Rather than churn out rehashed stories, recycled animation and superficial children's entertainment, Disney pushes the direct-to-video bar higher and higher. Could The Great Fairy Rescue sustain a theatrical release? In Ireland and the UK, it did just that. And I doubt a full-fledged Tinker Bell film is far off. If Disney's filmmakers and animators continue to elevate their game, there's no telling how far the Mouse House's flights of fancy could soar. As it stands, just one question remains. Can a well-calculated marketing gimmick evolve into a worthwhile franchise? Shed your doubts, clap your hands and shout "I believe in fairies!" If The Great Fairy Rescue is any indication, it can.

  4.6 of 5

The Great Fairy Rescue's crisp and colorful 1080p/AVC-encoded transfer isn't Pixar perfect -- pixie-eyed videophiles and screenshot sprites will spot minor aliasing throughout the presentation -- but the vast majority of viewers won't notice and, frankly, won't care. Nor should they. Disney hasn't cut a single direct-to-video corner, and Tinker Bell and her winged friends have never looked better. Lush leaves and vibrant flowers all but sprout from the screen, rich primaries rain down on gorgeous green meadows, earthy expanses and candlelit rooms are warm and inviting, and satisfying shadows fall across every surface like finely spun silk. Contrast is bold and breathtaking as well, and black levels are flawless. And detail? Take note of the pinpoint textures that grace Tink's cage, the razor thin petal-veins in the fairies' dresses, the tiny brush strokes in the paintings hanging on Lizzie's walls, every swirling speck of pixie dust... if the animators dreamed it, Disney's Blu-ray beaut delivers it. Better still, artifacting, noise, ringing and, yes, even banding are nowhere to be found. In fact, if it weren't for the faint, fleeting aliasing that haunts the film's finest lines and sharpest edges, I wouldn't have anything but praise for the transfer. Tinker Bell fans, young and old, will be ecstatic.   4.6 of 5

Disney's lively DTS-HD Master Audio 5.1 surround track isn't as magical as its video transfer, but it leaves a lasting impression nonetheless. From fairy whispers to human bellows, dialogue is bright, clean and perfectly intelligible, and isn't undermined when violent storms and thrilling chases ensue. LFE output is on point as well, granting cat attacks, cage doors, car engines and sky-splitting thunder heft and presence (without overwhelming the soundscape or weighing down the proceedings). Dynamics are reasonably restrained and quick to adapt, and separation is spot on. Granted, the whole of the experience is a wee bit front-heavy, but that doesn't mean the rear speakers don't eagerly join in the fun whenever it erupts. Summer winds, fluttering wings, blooming flowers and crackling spells pair nicely with Joel McNeely's sprightly score and envelop the listener in all the sounds of Tink's tinkering. Relatively precise directionality and nimble pans complete the sonic ensemble, and the soundfield remains fairly immersive throughout. The Great Fairy Rescue didn't leave my home theater in disarray, but it didn't leave me disappointed either.   4.6 of 5

Aimed squarely at the kiddies, The Great Fairy Rescue's paper-thin special features are easily exhausted. A lengthy batch of "Deleted Scenes" (HD, 15 minutes) is the main draw, an exclusive "Fairy Field Guide" interactive trivia game is included for good measure, a brief highlight reel of a "Design a Fairy House" event (HD, 2 minutes) will leave your daughters wishing they had participated in all the fun, while a music video (HD, 3 minutes) for Bridgit Mendler's "How to Believe" tops off the disc's slim supplemental package.   4.6 of 5

The Great Fairy Rescue is easily the best of the Tinker Bell films and should appeal to any family who counts at least one young girl among their own. Sweet and syrupy as it all may be, it will thrill four to nine-year-olds and leave them begging for more. Of course, it doesn't hurt that it has a few wholesome lessons to teach its knee-high fanbase along the way. Better yet, if you look past Disney's near-barebones supplemental package, the Blu-ray edition of The Great Fairy Rescue has a lot to offer. Its video transfer is gorgeous, its DTS-HD Master Audio track is engaging and its 2-disc BD/DVD combo pack is perfect for families who don't have a Blu-ray player in every room. (Or minivan as it were.) I don't have a daughter, but if I did, this is exactly the sort of direct-to-video children's film I would add to my cart. Tinker Bell is coming into her own and your little girls are the beneficiaries.

Buy Tinker Bell and the Great Fairy Rescue on Blu-ray

• Tinker Bell and the Great Fairy Rescue Blu-ray in September - March 19, 2010

Parents rejoice! Peter Pan's erstwhile sidekick has branched out to become a bona fide DTV franchise for Disney, with the help of her "Disney Fairies" clique. The studio that brought you Tinker Bell in 2008 and Tinker Bell and the Lost Treasure in 2009 has announced ...





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Monday, November 8, 2010

Raging Phoenix (Deu suay doo) (Blu-ray Review)





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Deu suay doo
Magnolia Pictures | 2009 | 112 min | Not rated | Sep 14, 2010

Video
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1

Audio
English: DTS-HD 5.1
Thai: DTS-HD Master Audio 5.1
English: DTS-HD 5.1
Thai: DTS-HD Master Audio 5.1 (less)
Subtitles
English, English SDH, Spanish (less)
Discs
25GB Blu-ray Disc
Single disc (1 BD)
BD-Live

 (2009)

Action | Romance


Deu (JeeJa Yanin), a girl with equally high degree of recklessness and beauty has never experienced 'true love'. One day her life changes completely when some gangsters try to kidnap her and she narrowly escapes with the help of Sanim, a sad looking stranger with a painful past. Waking up in an abandoned factory, she joins his gang of merry do-gooders who practice a form of drunken Thai break-dancing martial arts that they dub Meyraiyuth. Sanim and his friends, having had loved ones abducted, join together to break the gang of kidnappers.

For more details about Raging Phoenix on Blu-ray, see the Raging Phoenix Blu-ray Review

Starring: JeeJa Yanin, David Bueno, Marc Nghi Hoang
Director: Rashane Limtrakul



Reviewed by Casey Broadwater, September 16, 2010

Newcomer Tony Jaa elbow-dropped unsuspecting international audiences with the 2003 release of Ong-Bak, a fast and furious Bangkok beat 'em up that introduced the world to the "no wires, no harness" wonders of Thai martial arts. Since then, Jaa, director Prachya Pinkaew, and their prot?g?s have released a steady output of similar films, some better than others. For every badass romp like Tom-Yum-Goong or the historical epic Ong-Bak 2, there's a lesser entry in the Thai martial arts canon, like Power Kids or Tsunami Warrior. Good or bad, the one constant in all of these films is that the stories inevitably?for a lack of a better word?suck. Sometimes it doesn't really matter. When Tony Jaa is onscreen, the spectacle of his insane acrobatics is often enough to carry a film that might otherwise have little going for it. Hardcore action fans may contest that the story in a martial arts movie is irrelevant, that the plot is just a means to positions the characters for the next over-the-top set piece. To a certain extent, this may be true, but I don't think anyone would argue against the fact that a film with hard-hitting action and a strong story offers a much better experience. Raging Phoenix, unfortunately, has neither.


Phoenix, preparing to rage...

This may surprise some martial arts aficionados, as the film stars Yanin "Jeeja" Vismistananda, a female fighter who gave a brutal breakout performance in director Prachya Pinkaew's well-received Chocolate. That film is about an autistic girl who becomes a kind of Muay Thai boxing savant, and it was graced with the memorable tagline, "A special-needs girl, with a special need to kick ass." Raging Phoenix's story is weirder?by far?but weirder doesn't exactly equal better. Jeeja plays Deu, a drummer in a Bangkok rock band who goes on a serious bender after she discovers her boyfriend is seeing another woman. As she stumbles drunkenly through a parking garage, a pair of thugs in a sketchy-looking van attempt to kidnap her, but she's whisked away by a mysterious man who carries her out to what I can only describe as an abandoned carnival, where?and hold on to your hats?they're attacked by thugs wearing pogo-stilts adorned with enormous serrated blades. It's just as ridiculous as it sounds. Deu's savior, Sanim (Kazu Patrick Tang), is the leader of a group that exists solely to rescue women from human traffickers. Sanim and the other members?named, no joke, Pigshit, Dogshit, and Bullshit?have all lost the women in their lives and are looking for vengeance. They're also practitioners of meyraiyuth, the Thai equivalent of drunken boxing. As Pigshit, or Horseshit, or one of the shits explains to Deu, to become proficient in this inebriation-centric art requires you to embrace your inner miserable-ness. Only the truly depressed can become meyraiyuth masters. The heartbroken Deu obviously qualifies.

Okay, here's where things get weird?and jumbled, and boring, and nearly incoherent. The bad guys in this film?the Jaguar gang?are only stealing girls with a particular smell. They've got nasally-acute thugs hanging out around town, sniffing for a specific pheromone, represented onscreen by a CGI ripple that drifts across the frame and into the baddies' nostrils. It is suggested that the Jaguar crew has found a way to extract the pheromone and make a perfume that turns rich dudes into sex addicts?or something like that?but it turns out their plan is even more nefarious. They're also harvesting tears, life-prolonging tears. They're led by an angry female body builder who spouts lines like, "The penalty for stealing my flower is death!" Girls hang by chains from the ceiling, wrapped like leftovers in cellophane. None of it makes much sense. I basically gave up on trying to follow the asinine plot after the first forty-five minutes. It's just not worth it. The characters are cardboard, but they still lapse into typical Thai movie melodrama. Deu cries a lot. The villains just glower. Worse, Raging Phoenix is easily the most poorly edited film I've seen all year. Nearly every scene feels like it drags on for four minutes longer than it should. There are redundant flashbacks, conversations comprised solely of exposition, and long sequences where nothing happens at all. Even the requisite training montage moves at a glacial pace. At one point, thinking the film was almost over, I checked to see how much time was left?I wasn't even halfway through.

"But what," you ask, "about the fight scenes?" Unfortunately, they suffer the same snooze-inducing fate. Don't get me wrong?Jeeja is clearly talented, and if there's a female equivalent to Tony Jaa, it's definitely her. The problem here is the choreography and editing. Where Jaa's moves feel spontaneous?almost improvised?Jeeja's fight sequences have a studied, carefully rehearsed vibe. This is partly intentional; the fictional meyraiyuth is a stylistic mash-up of Muay Thai and B-boy/breakdance moves, making each fight seem more like a dance battle?with each "team" going through their practiced routines?than a down and dirty, life or death struggle. Plus, there's really nothing here that we haven't seen before. Even the film's climax?a beatdown that takes place on several rope bridges spanning a chasm?pales next to epic fight that takes place on the side of a building in Chocolate. There's also a distinct slowness to the way the fight scenes are edited. I generally dislike tight, quick-cut shaky cam?where you can never really tell what's going on?but Raging Phoenix's approach, while completely opposite, is just as ineffective. The camera pulls back so we can see the full bodies of the actors?which is good, especially for showing off their acrobatic talents?but the editing is lethargic. With a story so dull, I'd usually recommend fast-forwarding to the fight scenes, but in Raging Phoenix you'll probably want to skip through those too.

  n/a

Raging Phoenix rises on Blu-ray with a 1080p/AVC-encoded transfer, framed in a screen-filling 1.78:1 aspect ratio. The film probably looks as good as it's ever going to here, but the filmmakers' helter-skelter stylistic approach often makes the high definition image hard to appreciate. The color palette changes?drastically?in just about every scene. On the beach, there's a super-saturated cross-processed look, with extreme yellowish green highlights. During the "pogo-stilts" fight, everything goes a bleak gray. Inside the Jaguar gang's hideout, the picture is desaturated except for reds, which make the characters' lips pop awkwardly. Skin tones, consequently, are all over the spectrum, from deathly pallid to intense yellow, and black levels vary. The stylization doesn't stop at color; the flashback sequences feature an image that's clearly been vertically stretched?for whatever reason?and while some scenes have a warm filmic look, others have a smeary shot-on-video quality. It could be DNR, it could be actual video?the insane color gimmickry honestly makes it hard to tell. Unsurprisingly, then, clarity is inconsistent. There are close-ups that look fantastically sharp?showing off facial detail and clothing texture?and elsewhere the picture is soft and indistinct. Aside from some slight banding in a few scenes?noticeable in the fog/steam?there are no real compression problems.   n/a

Magnolia Home Entertainment has supplied Raging Phoenix with two lossless DTS-HD Master Audio 5.1 surround options?an English dub track and the original Thai mix. The film defaults to the dub, which?no surprise here?is pretty ridiculous. The weird thing is, I ended up preferring it to the original language track. Why, you ask? Because I was so bored by the film about 50 minutes in that I turned on the English track just so I could be entertained by something. In terms of actual sound quality, both tracks?aside from the dialogue?are nearly identical. The only real difference I noticed was that the dialogue in the dub is a good bit louder than the voices in the Thai mix, which sometimes get buried under other sounds. The rear speakers get a lot of play throughout; you'll hear club ambience at a rock show, the hush of wind and lapping water, and, of course, loads of cross-channel fight scene sounds as the character punch, kick, and leap acrobatically throughout the frame. None of this sounds particularly realistic, or even well implemented?the effects and pans are definitely stocky?but, like the film's color palette, I don't think realism was the intent. Most of the fight sequences are accompanied by rock/techno/Thai hip-hop tracks that would sound good?there's plenty of potent bass response?if the music itself wasn't so grating.   n/a

The Making of Raging Phoenix (SD, 11:53)
An interview with director Rashane Limtrakul, who somehow makes Raging Phoenix sound like a profound work of socially conscious art.

Behind the Scenes of Raging Phoenix (SD, 10:37)
Straight up behind-the-scenes footage of rehearsals, fight choreography, and scene shooting.

International Trailer (SD, 3:36)

Also From Magnolia Home Entertainment Blu-ray (1080p, 6:53)
Includes trailers for Rubber, Chocolate, Centurion, and The Oxford Murders.

  n/a

Raging Phoenix is a me-too beat 'em up with an incoherent plot, a pace that could put a crank addict to sleep, and a nearly ceaseless procession of nothing-we-haven't-seen-before Muay Thai moves. Unless you're some kind of fanatical apologist for all Thai martial arts movies?and it's amazing how many of those I've stumbled across on the internet?then Raging Phoenix will come as a disappointment, especially if you enjoyed the moderately-better Chocolate, "Jeeja" Vismistananda's previous film. Save your time and money and go watch Ong-Bak again instead.

Buy Raging Phoenix on Blu-ray

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Sunday, November 7, 2010

002- The Curious Case of Benjamin Button

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Saturday, November 6, 2010

Rick Steves: Celtic Charms (Blu-ray Review)





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Perseus | 2000-2010 | 210 min | Not rated | Aug 17, 2010

Video
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1, 1.33:1
Original aspect ratio: 1.78:1

Audio
English: Dolby Digital 2.0 (less)
Subtitles

Discs
25GB Blu-ray Disc
Single disc (1 BD)
Price
List price: $19.95   Not available to order

More Info

Price
List price: $14.99   Best Buy: $14.99

Buy Rick Steves: Celtic Charms on Blu-ray


Playback
Region A (B, C untested)



Reviewed by Jeffrey Kauffman, September 11, 2010

Rick Steves often gives his viewers little surprises sprinkled in with his various travel adventures, and we get one right off the bat at the beginning of this new Blu-ray compilation featuring episodes dealing with the Celtic Charms of Europe: Steve in a kilt! He may in fact be an unwitting fashion victim, at least in this prelude to several picturesque episodes, but at least he seems to have a sense of humor about it. Steves' travel program has been a mainstay on Public Television for decades now, and his understated, often wryly humorous style has made him the closest thing to a superstar that PBS offers. Entering into the Blu-ray arena with four volumes culled from his long running series, fans can now experience these gorgeous locales in high definition. This third volume offers some of the most jaw dropping scenery imaginable, as Steves explores the nooks and crannies of Ireland, Scotland and Wales in seven episodes.


Rick Steves goes native.

Edinburgh takes us on a whirlwind journey through Scotland's signature city, one which classic film lovers will recognize from The Prime of Miss Jean Brodie. The city has one of the most iconic structures of Europe, the huge fortified castle which is over one thousand years old. To the semi-soothing strains of bagpipe music, Steves then takes us down the Royal Mile, a close quartered boulevard which unites the castle with the Royal Palace. St. Giles Cathedral is also featured, a huge gothic structure which is topped by a distinctive spire made to resemble the Crown of Thorns. The Cathedral makes a natural segue to a discussion of the Reformation and John Knox, the founder of Presbyterianism.

North Wales: Feisty and Poetic lives up to its title, with an emphasis on the iconoclastic Welsh spirit. This episode made me laugh a time or two as I longed for subtitles as Steves ripped through one vowel-challenged Welsh place name after another. Luckily, there are occasional titles superimposed alerting us to the biggest locales he visits, places like Llandudno, a gorgeous coastal town with a lovely long pier jutting out into the water. Wales' tempestuous relationship with England is also examined. Once seen as invaders and usurpers, some Welsh towns now exist largely due to English tourists. One of the best place names Steves visits is the impossible to pronounce (at least for neophytes like I am) Blaenauffestiniog, where Steves looks at the slate mining industry which once supported Wales' economy. Steves skips over the border to Liverpool for a nice look at the Beatles' home turf.

Dublin. Ireland is described here by Steves as "the friendliest and youngest country in the EU." That youth and vigor shows up in some unusual ways. While Dublin is the very model of a symmetrically organized Georgian city, the rascally side of the Irish character comes out in the panoply of wildly colored painted doors which spice up the city's visual splendor. Steves then visits some of the ancient burial mounds which dot the Irish landscape, including two very interesting sites at Br? na B?inne, where Steves goes inside a 5,000 year old tunnel tomb which was engineered to receive sunlight at both the vernal and autumnal equinoxes.

The Best of South Ireland. Steves gets his hands dirty digging peat in this episode, which also spends a peaceful stop by Glendalough, which translates roughly to "valley of two lakes." A really interesting side trip journeys to St. Kevin's Church, a sixth century structure which actually withstood repeated Viking raids. Steves then drops by the Waterford Crystal factory, where we get to see that iconic glass being fired in historic kilns. The Rock of Castel is an impressive structure which housed Irish kings for seven centuries, and is so ancient that St. Patrick himself actually baptized a King there.

The Best of West Ireland. From the south, Steves journeys west, in fact so far west?to the Aran Islands?that the locals joke that "the next parish over is Boston." Starting at Inishmore, Steves takes us on a really captivating journey that includes the remarkable D?n Aengus, a 2,000 year old fortress which clings impressively to a stark and frankly scary cliff edge. We also visit Galway, a town whose name reveals its history. "Gal" means "foreigner," and the town was actually a refuge for invaders, who actually kicked the native Irish out and then built a fortress wall around their enclave. Next comes the Dingle Peninsula, a lovely and spectacular locale which is filled with over 2,000 monuments dating back to 4,000 B.C.

Belfast and the Best of Northern Ireland. Belfast may (perhaps unfairly) be best known as the seat of "the Troubles," but Steves emphasizes a happier history here, taking us through the town's industrial past. Belfast was nicknamed "Old Smoke" due to its burgeoning industrial activity, activity which saw such icons as the Titanic being built there. (Steves elicits a nice chuckle when he states that Belfast also built many ships which didn't sink). We also journey even further north to the "Coney Island of Ulster," the family playground of Portrush. Steves gets to enjoy a whiskey distillery, and the viewer gets to enjoy some of the most amazingly green coastal water imaginable.

Scotland's Islands and Highlands. As in the other Steves compendium I recently reviewed for Blu-ray.com, the final episode of this set is considerably older (circa 2000 in this instance) and predates HDTVs. It's therefore in its original standard def-looking "glory" of 1.33:1 and does not compare very favorably from an image standpoint with the newer, more glamorous, episodes which precede it on this Blu-ray. That said, Steves takes on a lovely enough trip through several Scottish islands and the very beautiful Scottish highlands, vistas filled with valleys full of wildflowers surrounded by towering mountains. Because of the remoteness of some of these locations, and the lack of public transit, officials allow travelers (including tourists) to hitchhike with the local postman, and Steves gets a one on one travel guide that way to some of Scotland's back roads and byways.

  4 of 5

Celtic Charms of Europe is offered on Blu-ray with an AVC encode, in 1080i and (for all but the last episode, which is 1.33:1) 1.78:1. As in the first volume of these new releases, the image is often breathtakingly beautiful, with excellent sharpness and some especially lovely and well saturated color. In fact it's the color that may stand out for most viewers of this particular volume. Some of the reds, blues and especially greens (fitting, perhaps, for the "Emerald Isle") are gorgeous and virtually pop off the screen. Depth of field is also extraordinary in several of the outdoor shots. As with most interlaced video presentations, there are occasional bugaboos which pop up from time to time, notably some minor shimmer and moir? issues. There's nothing bad enough that is ultimately going to detract from the beauty of at least six of these seven episodes. That final episode, in 1.33:1 and from the now distant video age of 2000, looks noticeably soft and desaturated when compared to its forebears. But the bulk of this presentation is top notch television fare.   4 of 5

Steves' outings are largely narrative and onscreen voice driven, so while some audiophiles may lament the lack of a lossless audio option here, the fact is the standard Dolby Digital 2.0 track does just fine. In fact, there are actually relatively few uses of ambient sounds throughout this series. Instead we get Steves, either on screen or via voiceover, and the occasional well chosen source music underscore. Fidelity here is just fine, if unremarkable, with good enough dynamic range to support this almost exclusively voice driven piece.   4 of 5

No supplements are offered on the disc.   4 of 5

These new Blu-rays from Steves are proving to be immensely enjoyable and at times spectacularly beautiful to watch in high definition. The evocative locales of Ireland, Scotland and Wales may be particularly well suited to the world of hi-def imagery, because the first six episodes featured here look "mah-velous." Steves is his usual affable self, even in a kilt, and any armchair traveler should get a wealth of information, and some beautiful sights, out of this excellent compilation.

Buy Rick Steves: Celtic Charms on Blu-ray

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Friday, November 5, 2010

Bloodsport / Timecop (Blu-ray Review)





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Warner Bros. | 1988-1994 | 190 min | Rated R | Sep 14, 2010

Video
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.78:1, 2.35:1
Original aspect ratio: 2.39:1, 1.85:1

Audio
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
French: Dolby Digital Mono
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
French: Dolby Digital Mono (less)
Subtitles
English SDH, French, Spanish (less)
Discs
50GB Blu-ray Disc
Single disc (1 BD)

 (1988-1994)

Action

Bloodsport: Inside a hidden Hong Kong arena, elite combatants clash in the Kumite, the little-known but hotly contested world championship of full-contact fighting. No Westerner had ever won this titanic tournament - until iron-willed American Frank Dux entered it.
Timecop: the future could be history, as a dangerous, time-traveling politico sets out to change the past so he can pave his career path to the White House. But Time Enforcement Commission cop Max Walker is on his trail. Where he goes, searing action and soaring thrills follow.

For more details about Bloodsport / Timecop on Blu-ray, see the Bloodsport / Timecop Blu-ray Review



Reviewed by Martin Liebman, September 29, 2010

The cinematic landscape could do with a few more movies like Bloodsport and Timecop, two of the most unpretentious Action flicks of the past several decades and arguably the two movies that form the pinnacle of the career of one of the genre's top stars, Jean-Claude Van Damme (Universal Soldier: Regeneration). Fans might passionately and not without merit counter that argument with the likes of Universal Soldier, Sudden Death, Hard Target, and Kickboxer as the actor's finest, but for Van Damme in the raw and in top physical form (Bloodsport) and in his most polished movie (Timecop), they don't get any better than what's included in this latest two-fer from Warner Brothers. Unfortunately for fans of the JCVD star, this double bill gets the royal shaft from Blu-ray's biggest but also most inconsistent studio. Fans will applaud the included lossless soundtracks, find the positives in the mid-grade 1080p transfers, but balk at the complete absence of extra content. Nevertheless, it's the movies that matter most; whether they're accompanied by umpteen hours of bonus features or not, that they've made it to Blu-ray and look and sound worlds better than anything found on home video releases past is the real headline here.


Damme!

Bloodsport
Rating: 3.5/5

I love anything full contact.

American Frank Dux (Van Damme) has skipped out on his duties for Uncle Sam to partake in a deadly underground no-holds-barred martial arts tournament in Hong Kong. The "Kumite" attracts fighters from all over the world, but this year's tournament is all about defending champion Chong Li (Bolo Yeung), a fighter known for his crippling power and no mercy style of combat. While in Hong Kong, Frank dodges two American law enforcement officials (Norman Burton and Forest Whitaker) with orders to bring Frank back to the States ASAP. He also befriends both a grizzly XL American named Ray Jackson (Donald Gibb) who's in town to participate in the tournament and a female reporter named Janice Kent (Leah Ayres) who's hoping to find a good story about the dangers of the Kumite. Frank quickly finds himself an inviting target for his fellow Kumite warriors and must fight with everything he has and all he's learned from his boyhood master, a Japanese-American named Senzo Tanaka (Roy Chiao). With more than pride on the line, Frank fights his way through a series of tough opponents, and the stars seem bent on aligning for a final showdown between the honorable Dux and the malicious Li, a fight that's going to be one for the record books.

Bloodsport represents everything the long-since deceased but never forgotten Cannon Group -- the symbol of 1980s action, purveyors of delectable cheese-as-film, and home to such beloved franchises as Missing in Action and American Ninja -- was all about. Here's a movie that's got it all, a quintessential mid-budget 1980s martial arts Action flick that's red, white, and blue through and through and that perfectly captures what the decade was all about. Built around a very basic good guy-bad guy permise that pits the diminutive but strong-willed and unassuming hero who fights only for honor against the larger-than-life, mean-spirited villain who fights for his own personal gain and to prove his worth as the world's best fighter was a constant theme through the decade; whether The Karate Kid or even Van Damme's own Kickboxer -- the latter picture little more than a lesser clone of Bloodsport -- Action movies seemed either all about the little guy fighting the odds or the larger-than life heroes played by the likes of Sylvester Stallone and Arnold Schwarzenegger taking out the trash like nobody's business. The 1980s was all about extremes, and Bloodsport is no exception.

Indeed, Bloodsport doesn't do anything that's not pushed to the extreme. Whether over-the-top acting, montage overload, destructive slow-motion violence, and exaggerated body and facial expressions, Bloodsport milks its every element for all that they're worth, and the result is a movie that's downright goofy but that's still centered around an undeniably alluring heart and soul that makes it impossible to ignore and likely to engender in its viewers a stand-up-and-cheer reaction. Bloodsport stirs its audiences' most basic emotions of right and wrong; the picture paints its characters to such extremes that there's no gray area to be found amongst them, allowing viewers to effortlessly sort out hero and villain and promote a basic sense of satisfaction whenever good overcomes evil. Otherwise, Bloodsport has no real redeeming qualities other than as an example of 1980s Cannon Group filmmaking and as mindless entertainment that still holds up today not as a serious Action picture but as a beacon of cheesy goodness that's more fun and more honest in what it wants to accomplish than are many others of its kind. It might not be the best martial arts Action movie out there, but there's nothing but love and sincerity behind every frame, making Bloodsport a movie that works despite is numerous flaws and a style that doesn't hold up all that well under a dispassionate critical eye.

Timecop
Rating: 3.5/5

There is never enough time.

In the year 1994, time travel is no longer a theory but instead a stunning accomplishment of science. Though travel forward through time isn't possible, travel into the past has become a reality, and with that reality comes the dangers of manipulating the past to alter the present. To protect time and maintain the status quo, the government has erected the Time Enforcement Commission, or TEC, to safeguard the past. The organization is sponsored by a young Senator named Aaron McComb (Ron Silver, Blue Steel) who immediately sees the potential in wielding control over the TEC and using it to his personal advantage. Meanwhile, D.C. cop Max Walker (Van Damme) has accepted a position at the new agency, but before he can start, his life is irreversibly altered when he's attacked and his wife (Mia Sara) is murdered. Ten years pass. McComb is on the verge of buying the Presidency, and Walker is a hotshot TEC agent who's learned that the Senator is manipulating time to amass the funds he needs to become President, all the while working to shut down the TEC for good. Walker becomes embroiled in a deadly engagement with McComb and his cronies that spans a decade and has repercussions for each man that will come to define both their pasts and futures.

As insignificant to the overall plot as it may be, Timecop is probably best remembered for its opening sequence that's one of the flat-out coolest in Action movie history. A driving rainstorm is the setting for a Civil War-era shootout between a handful of Rebels transporting a stash of General Lee's gold and a lone gunman wielding a couple of automatic pistols wearing bulky laser sights. It's the kind of stuff that only exists in fantasy, but Timecop serves up one of the neatest "what if" scenarios ever captured on film. While the rest of the movie doesn't quite live up to that level of excellence, Timecop is nevertheless a fun and energetic Sci-Fi/Action movie that's aged rather well and is arguably the most technically proficient and most intelligent movie in the Jean-Claude Van Damme canon. Of course, that's like picking out the nicest frozen dinner out of the Wal*Mart freezer; they're all pretty much identical but there's always that one that stands out with a pretty box and that manages to taste just a bit better than the rest. Timecop certainly has its faults -- namely in the form of plot holes big enough to drive a time machine through, various liberties taken with the science as it's presented in the film, and, oddly enough, time management in the form of a bomb on a countdown that lasts several minutes longer than its readout suggests -- but it overcomes them with a decent enough story, good special effects, and quality acting from its leads.

Timecop, like Bloodsport and, honestly, almost any Jean-Claude Van Damme movie, is best enjoyed as a mindless guilty pleasure where leaps in logic and impossible plot developments are met with an understanding that it's just a fun Action movie and not some theorem on what might really happen in a world where time travel exists. Everything in Timecop is plausible enough to lend to the picture an air of credibility within its established parameters. The movie still works in that regard, even if time hasn't been too kind to several of its less-critical components, such as the mostly ridiculous futuristic weapons and vehicles and JCVD's kickin' hairdo. Fortunately, the cast is uniformly good and, in a few instances, excellent. Van Damme impresses in what might be his best raw performance as a troubled TEC agent with the technology to change his past at his fingertips but the honor and respect for the natural course of things in his heart to keep him from fiddling with time. Ron Silver steals the show as the devious Senator McComb; he's superb as both the heartless Presidential candidate and the confused young Senator who at several junctures comes into contact with his future self. Mia Sara plays the part of Walker's wife well, and Bruce McGill's turn as TEC Director Matuzak is seamless and believable, particularly in the way he and Van Damme so effortlessly convince the audience of their longtime friendship, a credit to both their efforts and Mark Verheiden's surprisingly tight and well-constructed script.

  3.8333333333333 of 5

Bloodsport
Rating: 3/5

Bloodsport's 1080p Blu-ray transfer isn't one that miraculously makes the movie look brand new, but it does breathe new life into the Van Damme classic and represents the best the film has ever looked for home viewing. It's a transfer not without drawbacks -- there are some noticeably soft and fuzzy elements, slightly blooming whites, and orange flesh tones -- but most of the movie looks rather good, all things considered. Detail comes off as flat and lifeless in some scenes, but borders on the exemplary in others, particularly those scenes shot during the daylight hours that showcase various Hong Kong exteriors. Otherwise, faces, clothing, and other assorted objects clearly benefit from the resolution afforded them by the 1080p transfer, but rarely does the image flat-out dazzle. Clarity is generally strong and the color palette is balanced but not eye-catching. Bloodsport by its very nature seems like a visually uninteresting picture; Warner Brothers' 1080p transfer does the material justice, and fans can rest assured that this is about the best the film has ever looked for home viewing.

Timecop
Rating: 3/5

Timecop travels onto the Blu-ray format with a steady but underwhelming 1080p transfer. Though it occasionally appears a bit over-sharpened, Warner Brothers' transfer yields a highly watchable Blu-ray image that shows the film's age but nevertheless allows it to benefit from the 1080p treatment. Detail isn't going to wow anyone who's seen more than a handful of high-def discs, and the film sports a fairly muted color palette that's not going to dazzle the senses, but both prove adequately reproduced through the course of the film and within the context of its intended appearance. Moderate grain and some background noise are seen over the image, but Timecop's transfer is also accompanied by several noticeable but not transfer-destroying problems: blacks tend to be too absorbing, flesh tones capture a red tint, whites occasionally bloom, minor compression artifacts occasionally enter into the equation, and several pops and speckles appear intermittently through the movie. It's certainly not a great transfer, but neither is Timecop a disaster on Blu-ray; fans still clinging to old LaserDisc versions or non-anamorphic DVD copies would be wise to upgrade.

  3.8333333333333 of 5

Bloodsport
Rating: 2.5/5

Warner Brothers pounds out a decent enough DTS-HD MA 2.0 lossless soundtrack for this release of Bloodsport. Range is limited and clarity is often left wanting, but Warner's audio presentation generally serves the movie well enough. This is a fairly robust mix that's not lacking volume, with music and sound effects competing to see which can be the loudest. Fortunately, things never get out of hand, and the result is an engaging and fun track that, like the movie it accompanies, lacks spit-and-polish but more than makes up for its shortcomings in effort. There's a slightly unnatural pitch to some dialogue elements, making them sound detached from the image rather than part of it, but such instances are rare. Atmospherics are steady across the two channels, with the track doing just enough to create a noticeable environment in several locales. Unfortunately, it's just not enough to completely absorb the listener into the bustling Hong Kong streets or the rowdy underground tournaments. Bloodsport won't stretch the limits of audio engineering or give even the most modest of sound systems much of a workout, but Warner's lossless DTS track gets the job done without being too much of a disappointment.

Timecop
Rating: 3.5/5

Timecop blasts onto Blu-ray with a potent but not quite perfect DTS-HD MA 5.1 lossless soundtrack. The track is certainly aggressive and loud -- evidenced from the get-go during the opening Civil War sequence with room-filling rain and automatic weapons fire -- but it lacks that pinpoint spacing and absolute clarity that define the top soundtracks. The surround channels are put to good use throughout in support of both atmosphere and action-oriented effects. Neither are supremely convincing, but both are admirably implemented into this mid-90s Action flick's soundtrack. General ambience often sounds rather plain, but the track delivers several subwoofer-happy moments accompanying the bass-heavy time travel sound effects. The low end lacks the precision of the finest tracks, but it's in no way sloppy or undefined, either. A few directional effects add some spice to the mix, while dialogue is steady and never in competition with other elements. Much like its video transfer, Timecop's soundtrack is a step above anything found in previous releases, but this DTS track doesn't magically make things immeasurably better.

  3.8333333333333 of 5

No supplements are included with either film.

  3.8333333333333 of 5

Bloodsport and Timecop are the very definition of "guilty pleasure." They're mindless but well-made action flicks that boast good acting and intriguing story lines, a recipe for success that allows each to achieve lofty heights amongst their mid-grade Action movie brethren. Both pictures have withstood the test of time on their own merits and thanks to fan bases that can look past whatever shortcomings may exist and simply enjoy the movies as they were meant to be seen and without any preconceived notions that these pictures strive to be anything more than good old-fashioned entertainment without any excess baggage or unrealistic visions of grandeur. Neither is an out-and-out genre classic, but both get the job done admirably and without cause for any real complaint within the context of the Action movie landscape. Warner Brothers' double feature Blu-ray release yields passable technical specs but absolutely no extra content. Individual releases with meaty bonus features would be nice, but as it is, this is probably the best either film will look and sound for many years to come. Recommended for diehard Van Damme fans.

Buy Bloodsport / Timecop on Blu-ray

• Warner Announces Three More Blu-ray Double Features - June 9, 2010

Warner Home Video has announced three double-feature Blu-ray titles for release on September 14. Two of them belong squarely in the family genre: A Cinderella Story / Another Cinderella Story and Shiloh / Saving Shiloh (for some reason, Shiloh 2: Shiloh Season ...





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