Showing posts with label StudioCanal. Show all posts
Showing posts with label StudioCanal. Show all posts

Monday, November 1, 2010

Breathless (À bout de souffle) (StudioCanal Collection) (Blu-ray Review)





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? bout de souffle / StudioCanal Collection
Optimum Home Entertainment | 1960 | 90 min | Not rated | Sep 13, 2010

Video
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1

Audio
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
Spanish: DTS-HD Master Audio 2.0
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
Spanish: DTS-HD Master Audio 2.0 (less)
Subtitles
English, Spanish, Portuguese, German, Dutch, Japanese, Turkish English, Spanish, Portuguese, German, Dutch, Japanese, Turkish (less)
Discs
50GB Blu-ray Disc
Single disc (1 BD)
BD-Live
DigiBook


Reviewed by Dr. Svet Atanasov, September 16, 2010

Winner of Silver Bear at the Berlin International Film Festival, Jean-Luc Godard's "A bout de souffle" a.k.a "Breathless" (1960) arrives on Blu-ray courtesy of British distributors Optimum Home Entertainment. The supplemental features on the disc include an introduction by film critic and Godard expert Colin McCabe; "Godard, Made in USA", a documentary by Luc Lagier; "Room 12, Hotel de suede", a documentary by director and popular French television host Claude Venture; photo gallery; posters; and more. The disc also arrives with a 20-page illustrated booklet. In French, with optional English, Spanish, Portuguese, German, Dutch, Japanese, and Turkish subtitles for the main feature. Region A/B "locked".


Come with me to Rome...

Jean-Luc Godard's Breathless is the film that changed everything ? perceptions, expectations, the way movies were made. After it, Cinema was no longer the same. The rules were broken. Or to be perfectly clear, there were no more rules to be followed.

Michel (Jean-Paul Belmondo, Pierrot le fou), a tough looking criminal who worships Humphrey Bogart, steals a car, kills a cop, and heads to Paris where he meets Patricia Franchini (Jean Seberg, Bonjour tristesse), a beautiful American girl who sells the Herald Tribune in the Champs-Elysees. He falls in love with her and asks that she comes with him to Rome.

While Patricia is trying to make up her mind, Michel wanders around Paris, meeting people who own him money. Occasionally, he also steals from people who do not own him anything. Patricia follows him around, clueless about his dealings.

Michel smokes a lot but Patricia does not mind. The two spend plenty of time together talking about love, money, and happiness. Occasionally, they also make love. When Patricia works, Michel runs around stealing. Then they meet again, talk and make love.

The cops begin looking for Michel. They also question Patricia. She wants to stay with Michel but eventually realizes that there is no future for the two of them. After spending the night with Michel in a chic private photo studio, Patricia calls the cops to let them know where her lover is hiding.

Arguably the most influential of the Nouvelle Vague films, Breathless is brash, raw, and unpretentious yet remarkably elegant piece of cinema. It is hilarious, at times offensive, and though suggesting otherwise incredibly serious about everything it shows. It is the coolest film ever made.

Godard's great innovation lies in the distinctive camerawork - jump cuts, fast zooms, and unusual close-ups - and unorthodox treatment of his characters. The plot of Breathless is hardly original but observing Michel and Patricia is fascinating; time and space are handled in a unique manner creating something that could be best described as a sense of three-dimensionality.

Then there is the sense of freedom that permeates Breathless. The improvisations are wild and strange but also rejuvenating. Many of the lines Michel and Patricia utter make little sense but it is incredibly easy to tell what is on their minds. He wants to love her. She wants to be loved. That is all that matters. That is the whole story Breathless tells.

Godard dedicated Breathless to Monogram Pictures, the famous Hollywood studio that specialized in the production of B-movies, in an attempt to prove that interesting films do not have to be expensive films. He was assisted by legendary cinematographer Raoul Coutard, who collaborated with the French director on many of his most renowned films, including Une femme est une femme (1961), Vivre sa vie: Film en douze tableaux (1962), Le mepris (1963), Bande a part (1964), Pierrot le fou (1965), 2 ou 3 choses que je sais d'elle (1967), etc.

In 1960, Breathless won Silver Bear at the Berlin International Film Festival. In 1961, the film won the Critics Award for Best Film granted by the French Syndicate of Cinema Critics.

  4 of 5

Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Jean-Luc Godard's Breathless arrives on Blu-ray courtesy of British distributors Optimum Home Entertainment.

The following message is included on this Blu-ray disc:

"This high-definition Blu-ray involved a large amount of 2K restoration work. Director of photography Raoul Coultard supervised the color timing. Frames had disappeared from certain shots in the film and could not be replaced using current techniques."

This high-definition transfer is not identical to the one used by Criterion for their Blu-ray release of Breathless. Still, it is a very strong one. Generally speaking, fine object detail is very good and clarity levels pleasing. Compared to the Criterion release, the outdoor scenes tend to have a slightly rougher look - they appear brighter and occasionally noisier. The grain is also more prominent. On the Criterion release everything looks slightly darker, toned down and better balanced; some of the indoor scenes, however, are also not as detailed as they are on this release. The close-ups are very pleasing on both releases. Once again, I noticed traces of mild edge-enhancement; macroblocking, however, is not an issue of concern. The color-scheme does not disappoint; blacks are rich and well saturated while whites and grays look fresh and unmanipulated. Finally, there are no serious stability issues. I also did not see any large cuts, marks, stains, or debris to report in this review. (Note: This Blu-ray disc is Region A and B "locked". Therefore, if you reside in a territory covered by one of these two regions you will be able to play it on your PS3s or SAs. Please note that there is no problematic PAL or 1080/50i content preceding the disc's main menu. For the record, the main menu can be set in one of the following languages - German, Spanish, French, Dutch, Portuguese, English, and Japanese).

  4 of 5

There are three audio tracks on this Blu-ray disc: French DTS-HD Master Audio 2.0 (Mono), German DTS-HD Master Audio 2.0 (Mono), and Spanish DTS-HD Master Audio 2.0 (Mono). For the record, Optimum Home Entertainment have provided optional English, Spanish, Portuguese, German, Dutch, Japanese, and Turkish subtitles for the main feature. (Please note that some of the English dialog in the film - such as the English dialog from Patricia's lunch meeting - has embedded French subtitles).

The French DTS-HD Master Audio 2.0 track is very pleasing. As far as I am concerned, its dynamic amplitude is identical to that of the French LPCM 1.0 track from the Criterion Blu-ray release of Breathless. Once again, there is sporadic mild background noise that I was able to hear, but it is well within the limitations a film of this age is likely to possess. Lastly, there are no serious balance issues with Martial Solal's music score. I also did not detect any annoying pops, cracks, hissings, or audio dropouts to report in this review.

  4 of 5

Note: All of the supplemental features on this Blu-ray disc are encoded in either 480/60i or 1080p. Therefore, they are perfectly playable on North American PS3s and SAs.

Introduction - film critic and Godard expert Colin McCabe introduces Breathless and points out what makes it such an important and unique film. In English, with optional French, Dutch, German, Japanese, Portuguese, and Spanish subtitles. (5 min, 480/60i).

Godard, Made in USA - a wonderful documentary by Luc Lagier focusing on Jean-Luc Godard's career as a filmmaker, his love/hate relationship with American cinema, the production history of Breathless, the impact the film had on other directors, etc. In French, with optional English, Japanese, Portuguese, Spanish, Dutch, and German subtitles. (51 min, 1080p).

Room 12. Hotel de suede - a lengthy documentary, from 1993, in which director and popular French television host Claude Venture interviews different people who were involved with the production of Breathless. Amongst the interviewees are director Claude Chabrol, Jean-Paul Belmondo, cinematographer Raoul Coutard, assistant director Pierre Rissient, editor Cecile Decugis, etc. In French, with optional English, Japanese, Portuguese, Spanish, Dutch, and German subtitles. (79 min, 480/60i).

Jean-Luc according to Luc - Luc Moullet, long-term friend and Godard connoisseur, discusses the legendary French director's work. In French, with optional English, Japanese, Portuguese, Spanish, Dutch, and German subtitles. (8 min, 480/60i).

Photo gallery - a selection of photographs taken by Raymond Cauchetier during the filming of Breathless. (1080p).

Trailer - the original French theatrical trailer for the film. In French, with optional English and German subtitles. (3 min, 480/60i).

Posters - a collection of posters for Breathless from Belgium, Finland, Italy, and Germany. (1080p).

BD Live functionality -

Booklet - 20-page illustrated booklet.

  4 of 5

British distributors Optimum Home Entertainment have put together a strong package for Jean-Luc Godard's Breathless, and I tend to like it a bit more than the one Criterion released earlier this week. The film looks rougher and slightly nosier here while on the Criterion release it looks marginally darker and better balanced. I think that the rougher look is more appropriate, but I am sure plenty of people would disagree with me. Either way, we have two strong releases of this terrific film now so choose the one whose look you prefer. Keep in mind, however, that the two releases have different supplemental features. VERY HIGHLY RECOMMENDED.

Buy Breathless on Blu-ray

• Studio Canal September Wave Detailed - August 13, 2010

Confirming earlier reports, Optimum Home Entertainment has announced seven titles for Blu-ray release in the UK on September 13 as part of the Studio Canal Collection: Breathless (? bout de souffl?, Jean-Luc Godard, 1960); Le cercle rouge (Jean-Pierre Melville, ...





View the original article here

Monday, October 11, 2010

Third Man (StudioCanal Collection) (Blu-ray Review)





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StudioCanal Collection
Optimum Home Entertainment | 1949 | 104 min | Not rated | Sep 13, 2010

Video
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1

Audio
English: DTS-HD Master Audio 2.0
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
Spanish: DTS-HD Master Audio 2.0 English: DTS-HD Master Audio 2.0
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
Spanish: DTS-HD Master Audio 2.0 (less)
Subtitles
French, Spanish, German, Dutch French, Spanish, German, Dutch (less)
Discs
50GB Blu-ray Disc
Single disc (1 BD)
DigiBook


Reviewed by Dr. Svet Atanasov, September 18, 2010

Carol Reed's "The Third Man" (1949) arrives on Blu-ray courtesy of British distributors Optimum Home Entertainment. The supplemental features on the disc include an audio commentary with assistant director Guy Hamilton, Simon Callow and Angela Allen; interview and zither performance by Cornelia Mayer; audio interviews with Joseph Cotten and Graham Greene; interactive tour of Vienna, with commentaries by Dr. Brigitte Timmermann and tour guide Gerhard Strassgschwandtner; collection of early 1950s radio announcements; documentary feature; trailers; and more. The disc also arrives with a 20-page illustrated booklet. In English, with optional French, Spanish, German, and Dutch subtitles for the main feature. Region-B "locked".


I will help you!

A young American novelist, Holly Martins (Joseph Cotten, Portrait of Jennie, The Abominable Dr. Phibes), heads to Vienna looking for his friend, Harry Lime (Orson Welles, Citizen Kane). Once in the city, however, he learns that Lime has passed away. Shocked by the news, Martins starts asking questions - a lot of them. He is told a number of different stories that eventually lead him to believe that Lime was killed.

Determined to find out who is responsible for Lime's murder, Martins embarks on a treacherous journey amidst the unfriendly streets of Vienna. Eventually, he encounters the beautiful Anna Schmidt (Alida Valli, Eyes Without a Face, Lola), a Czech national with forged Austrian papers, who agrees to help him find his friend.

Based on a script by legendary novelist Graham Greene (Our Man In Havana), Carol Reed's The Third Man is a terrific hybrid of a film in which noir, neo-realism and Hollywood bravado are mixed to perfection. Set in post-war Vienna, the film is very much a dark caricature of sorts where the finesse, elegance and tradition of Old Europe are seen through the eyes of a naive but ambitious American looking for his missing friend.

Contrary to what many critics have claimed, the narrative is rather complicated. A giant mystery surrounding Welles' character is slowly peeled off, piece by piece. As a result, The Third Man quickly evolves into a guessing game of sorts in which every little detail must be scrutinized. As expected for a noir-film, there is also a dangerous femme fatale who becomes a prominent player as soon as the main protagonist reaches Austrian soil.

In addition to strong dark overtones, The Third Man also boasts a great deal of nihilism. For example, betrayal and impossible love are depicted by Reed with a sense of realism that feels uncannily contemporary. Not surprisingly, The Third Man works incredibly well not only as a non-stop adventure film, but also as a realistic depiction of a world struggling to recuperate after an enormous tragedy.

Even though The Third Man is a British film, its view on Old Europe is distinctively American. The clash of cultural ideologies, as witnessed through the interactions between Valli and Cotten, is particularly impressive. There are entire scenes where Reed focuses on the American whose alarming naivety produces some of the most hilarious yet disturbing sequences that compliment the mystery.

Anton Karas' soundtrack is beautiful. The mellow sounds produced by his zither gives The Third Man a very special flavor, one that blends with the dark vistas from Vienna's sewers exceptionally well. Naturally, the atmosphere The Third Man sustains is often cited as its greatest strength.

  3.5 of 5

Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Carol Reed's The Third Man arrives on Blu-ray courtesy of British distributors Optimum Home Entertainment.

This high-definition transfer is inferior to the one Criterion used for their Blu-ray release of The Third Man, but it is certainly not disappointing. Generally speaking, fine object detail is quite pleasing, with selected close-ups looking very good. Compared to the Criterion release, contrast levels also appear toned down, particularity during some of the indoor scenes. Furthermore, mild noise corrections have been applied, but there is plenty of fine grain to be seen throughout the entire film. I also noticed traces of mild edge-enhancement, most of which pop up during the second half of the film. The color-scheme is pleasing - the blacks and grays look healthy while the variety of whites look mostly unmanipulated. Lastly, there are quite a few tiny flecks on this high-definition transfer, suggesting that it has been struck from a dated, unrestored source; however, there are no large cuts, stains, warps, or marks. (Note: This is a Region-B "locked" Blu-ray disc. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content. Please note that the disc's main menu can be set in one of the following languages: German, Spanish, French, Dutch, and English).

  3.5 of 5

There are four audio tracks on this Blu-ray disc: English DTS-HD Master Audio 2.0 (Mono), French DTS-HD Master Audio 2.0 (Mono), German DTS-HD Master Audio 2.0 (Mono), and Spanish DTS-HD Master Audio 2.0 (Mono). For the record, Optimum Home Entertainment have provided optional French, Spanish, German, and Dutch subtitles for the main feature.

The English DTS-HD Master Audio 2.0 track is very good. The dialog is clean, crisp, clean, and very easy to follow. There are no balance issues with Anton Karas' music score either. I also did not hear any pops, cracks, excessive hissings, or audio dropouts to report in this review. I must point out, however, that the English LPCM 1.0 track from the Criterion release is slightly better balanced (high-frequencies).

  3.5 of 5

Original trailer 1 - in English, not subtitled. (3 min, 1080p).

Original trailer 2 - in English, not subtitled. (2 min, 1080p).

Shadowing the Third Man - a long, very informative documentary film focusing on the production history of The Third Man, the secret of its success, the allure of post-war Vienna, etc. The film contains an abundance of archival footage as well as numerous interviews and excerpts from Graham Greene's novel. In English, not subtitled. (90 min, PAL).

The Third Man on the Radio - a collection of early 1950s radio announcements for The Third Man as heard on "The Lives of Harry Lime" show. Written and read by Orson Welles. (29 min, 480/60i).

The Third Man Interactive Vienna Tour - a fantastic, very original tour of the old Vienna seen in The Third Man and compared to modern Vienna. With comments and very helpful information by Dr. Brigitte Timmermann and tour guide Gerhard Strassgschwandtner. In English, not subtitled.

Josefsplatz (4 min, 1080i).
Third Man Museum (4 min, 1080i).
Karlsplatz (4 min, 1080i).
Sacher Hotel (6 min, 1080i).
Am Hof (6 min, 1080i).
Maria am Gestade (5 min, 1080i).
Molkerbastei (4 min, 1080i).
Stephansdom (3 min, 1080i).
Hoher Markt (3 min, 1080i).
Morzinplatz (4 min, 1080i).
Ruprechtskirche (3 min, 1080i).
Prater (4 min, 1080i).
Stadtpark (4 min, 1080i).
Zentralfriedhof (5 min, 1080i).

Stills Gallery - a collection of on-location stills from the production of The Third Man. (3 min, 1080p).

Guardian NFT interviews with:

-- Joseph Cotten - an audio only interview, courtesy of BFI National Archive/Guardian News & Media Ltd, from 1987. This is a very long and very informative interview in which the famous actor who played Holly Martins recalls his work with Carol Reed, the production history of The Third Man, its success, etc. In English, not subtitled. (48 min).

-- Graham Greene - an audio only interview, courtesy of BFI National Archive/Guardian News & Media Ltd, from 1984. In this interview the famous writer discusses how the screenplay for The Third Man came to exist. In English, not subtitled. (9 min).

Joseph Cotten's alternate opening voiceover narration - in English, not subtitled. (2 min, PAL).

Interview and zither performance by Cornelia Mayer - a wonderful performance of the Harry Lime theme & Cafe Mozart Waltz by Mrs. Mayer. In English, not subtitled. (5 min, 1080i).

Commentary - an audio commentary with assistant director Guy Hamilton, Simon Callow and Angela Allen (2nd unit continuity). This is a relaxed, very informative commentary with an abundance of technical information about the production history of The Third Man, the technical and logistical obstacles the cast and crew had to overcome, the film's fascinating story, etc. The commentary does not appear on the Criterion Blu-ray release of The Third Man. In English, not subtitled.

Booklet - a 20-page illustrated booklet containing an essay by Charles Drazin (Mr. Drazin is a film historian and biographer. His books include Korda: Britain's Only Movie Mogul, The Finest Years: British Cinema of the 1940s and In Search of The Third Man. He lectures on Cinema at Queen Mary, University of London).

  3.5 of 5

Optimum Home Entertainment have put together a fine package for Carol Reed's The Third Man. The high-definition transfer used for this Blu-ray release is inferior to the one used by Criterion for their Blu-ray release of this beloved film, but it is far from being disappointing. The disc also contains a wealth of excellent supplemental features. So, if you could still track down a copy of Criterion's Blu-ray release of The Third Man, and more importantly can afford it, get it. If you cannot, this Blu-ray release is a very decent budget alternative. RECOMMENDED.

Buy The Third Man on Blu-ray

• Studio Canal September Wave Detailed - August 13, 2010

Confirming earlier reports, Optimum Home Entertainment has announced seven titles for Blu-ray release in the UK on September 13 as part of the Studio Canal Collection: Breathless (? bout de souffl?, Jean-Luc Godard, 1960); Le cercle rouge (Jean-Pierre Melville, ...





View the original article here